The High Line, Washington Street/Tenth Avenue Between Gansevoort and 20th Street

Mary Sargent © 2009 …………….. click to enlarge

One of the pleasures of being on the High Line is getting a different view of things. This is the Gehry designed office building for IAC, about which you will hear more when I get there.



Mary Sargent © 2009 ……….. click to enlarge

This is 18th Street.




Mary Sargent © 2009 …………………………………….. click to enlarge

X

The High Line, Washington Street/Tenth Avenue Between Gansevoort and 20th Street

Mary Sargent © 2009 …………………………………….. click to enlarge

We're on the outside looking into a sort of amphitheater in which people can sit and gaze out at the . . . traffic. Pretty funny. Don't worry about the little girl who seems about to tumble over the edge. A thick pane of glass is holding her in.

X

The High Line, Tenth Avenue Between 15th and 16th Streets

X
Tonight my internet connection is back and so I can once again post. Do you notice how calm I am? Yes, I am calm even though I lost not only the internet, but my phone. The DSL folks sent out a DSL technician today who restored my vital connections and told me it all happened because of the rain. Meanwhile, my TV (cable) is doing fine. I'm just sayin . . .



Mary Sargent © 2009 ………….. click to enlarge


What we have here is a piece of art by Spencer Finch, commissioned for the High Line. It is a conceptual piece. This is conceptual artist Sol LeWitt's definition of conceptual art:

In conceptual art the idea or concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art.

X
LeWitt's pieces are executed by people other than himself because they have only to follow his directions to give form to his concept.

Finch had the idea of taking a photograph of the surface of the Hudson River every minute for 700 consecutive minutes, then extracting one pixel from each photo, reproducing them on color film and then laminating the film on 700 panes of glass. If this interests you, Art In America has a pretty good critical piece on it.

Here is a portion of the statement from Creative Time, one of the sponsors of the piece:

Inspired by the light and the water of the Hudson River, The River that Flows Both Ways will transform an existing series of windows with 700 individually crafted panes of glass representing the water conditions on the Hudson River over a period of 700 minutes on a single day. The installation will be placed in a semi-enclosed former loading dock where the High Line runs through the Chelsea Market building, between 15th and 16th Streets, viewable from the street and on the High Line. The work links the movement of the river, viewable from the site, with the historic movement of the railway and the atmospheric conditions of its location on Manhattan’s West Side. The piece, with its varied levels of color, translucency, and reflectivity, addresses the impossible search for the color of water.

The title of this work comes from the original Native American word for the Hudson River, Muhheakantuck, which means “the river that flows both ways.” This flow in two directions is analogous to the way both water and glass work optically, as both windows and mirrors, allowing a view into depth as well as a reflection of the surrounding environment.

There you have it.

The High Line, Washington Street/Tenth Avenue Between Gansevoort and 20th Street

X

Mary Sargent © 2009 ……... click to enlarge




Mary Sargent © 2009 …………………………………….. click to enlarge

X

I realize that I've been talking about the High Line as though everyone knows what it is, but it's entirely possible you don't know even if you live in New York. So let's start at the beginning.

X

In the beginning, say 1851, a railroad ran on the streets of New York, creating such peril for street traffic that 10th Avenue came to be nicknamed Death Avenue. And so it came to be that in 1929 (before or after the crash?) the City and State of New York and the New York Central Railroad agreed to the West Side Improvement Project, which included the High Line and added 32 acres to Riverside Park.

The High Line ran from 34th Street to Spring Street and was designed to go down the center of blocks rather than over the avenue to keep things tidy. Imagine. It ran through factories and warehouses and so could pick up and deliver freight without setting foot in the street. And we think we're so smart.

But, alas, the feds built the interstates in the 50's and trucking became competitive with freight trains, causing a drop in rail traffic. In 1980 the last train ran on the High Line carrying three cars of frozen turkeys. What an ignominious end.

The High Line was abandoned and as the months and years went by, nature took over. Wild grasses grew, and flowers. It was becoming a meadow. A few people noticed. They probably snuck up there. They thought it was way cool. Wow, this would make an awesome park, they probably said to themselves.

Oh, I forgot to say that in the 60's the southern part was demolished, whether all the way to Gansevoort or not, I don't know.

So then some people wanted it torn down, including Mayor Guiliani, and others fought to keep it. Friends of the High Line was formed.

Friends of the High Line won. A miracle.

The photos above show how the landscaping keeps elements of the High Line's abandonment period.

X

The High Line, Tenth Avenue Between Gansevoort and 20th Street

X

Mary Sargent © 2009 ……...............................….. click to enlarge




Mary Sargent © 2009 ……….. click to enlarge

We're up in the High Line now and everyone looks right at home. I was reminded of my cats when I saw these people on the benches. It's like when a box is delivered to me and it's there on the floor, they take one look and jump on it and settle down. Nice, a new place to lie on, they say to themselves.

I was going to go into the story of the High Line tonight, but if you'll look at what time it is, you'll understand when I say I'm just going to recommend you go to the High Line Images and Video website. It has historical photos showing trains running in the street before the High Line was built, and it shows it being built and then being used. Then there are contemporary photographs showing it overgrown with grasses and wild flowers. And more. Well worth taking a look.
X

I'll have more to say tomorrow. For now, I still have to put sheets on my bed.

Meatpacking District, Washington Street at Gansevoort

Mary Sargent © 2009 ……….. click to enlarge

Okay, back to the High Line. This is the entrance at Gansevoort Street. Wait, but first, before getting into the High Line, let's consider The Standard – that gorgeous building looming ahead. You've already seen a long shot of it 3 nights ago.

If you're interested in new architecture, I have some links for you. The New York Times's Nicolai Ouroussouf calls it serious architecture. New York Magazine makes a case for The Standard's "interpreting the spirit" of the Meatpacking District, and then on the next page, you can read an account of what it's like to stay there. Did I forget to mention it's a hotel? Last, go here for a web cam shot that shows it in relation to the High Line, looking down on the High Line. You can also play with their 360° speeded up video.

Meatpacking District, Gansevoort Street Between Washington and West Streets

X


Mary Sargent © 2009 ……….. click to enlarge





Mary Sargent © 2009 ……………….. click to enlarge

Mary Sargent © 2009 …………………………………….. click to enlarge

X
These three shots are of the north side of this block, which is awaiting construction of a branch of the Whitney Museum. The design is by noted architect Renzo Piano. It will be impressive. In the meantime, this is what is here, with its own charm.

Go to the New York Times to read a mostly approving article by architecture critic Nicolai Ouroussoff.

Meatpacking District, Gansevoort Street Between Washington and West Streets

Mary Sargent © 2009 ……... click to enlarge

Here's the last block of Gansevoort Street with New Jersey in the distance. Awfully close, isn't it? As I walked to the end of the block, I was surprised to find there were some interesting shots to be had. Well, not that surprised.

But for now, I want to announce the Third Anniversary of The Manhattan Street Project. Yayy! Let's all have champagne. Or prosecco. Below are two maps; one is from July 3, 2006 and the second was shot today. I don't even know how to guess how much I've done, but any fool can see there's way more to do. But I'm up for it; it gives me a reason to go on living, after all.


See Google Map.



July 3, 2006.....................July 3, 2009

The reason the first map comes with streets already marked is that I had started the project before I started the blog. However, I've been rewalking those pre-blog streets because, as my obsession grows, I realize that they MUST be photographed.

X

Meatpacking District, Washington Street at Gansevoort Street

Mary Sargent © 2009 …………………………………….. click to enlarge

Here we are at our destination – the High Line. And there's Myra. Out of the frame. But first I want to finish Gansevoort Street – there's only one more block to go. We all need a rest anyway after last night's discursive entry. We'll have plenty of time to talk about the High Line and that fabulous building straddling it.

The street view in Google Maps shows the High Line before it was worked on.

Meatpacking District, Gansevoort Street Between Greenwich and Washington Streets

Mary Sargent © 2009 …………………………………….. click to enlarge

My apologies for the non-post last night, an historic first for this blog. (Not counting vacations, of course.) I was just congratulating myself on that the other day. In almost three years, I've never missed a daily post, I said to Barbara. I'm impressed with myself, I said. See what happens when you say something like that out loud?

Last night I came home late, maybe just a touch looped, and realized this wasn't going to be like those other nights when I've come home late and just a touch looped, because tonight I needed to research the Meatpacking District and then write a coherent couple of paragraphs. Furthermore, it couldn't be put off because this was the only photo of historic buildings on this walk. Realizing all this took the last bit of brainpower I had left, so I said to myself, I'll just take a little nap and do this later. When I awoke at 10 a.m. this morning, it was clear that I couldn't call this last night.

But enough lamenting. Onward to the business at hand. I'm not going address the Meatpacking District as a whole, because another day, I will do a more District centered walk and talk about it then. (This one is more High Line centered.) But I came across the Gansevoort Market Historic District Designation Report of 2003 and found the detailed history of these buildings at 52-58 Gansevoort Street. You can imagine how thrilled I was. (The building at the left is Griffin Lounge as of April 2009, a more recent addition to the street, and not under discussion here.)

Nos. 54-56, the middle two of the building at the right, began life around 1850-54 as a carpenter shop and stable, and nos. 52 and 58 on the ends, were constructed as tenements in 1853. Yes, tenements are generally (always?) more than two stories, and these tenements were originally 3 and 4 stories tall. The carpenter shop and stable were operated by one family, William Hoe, his son James Hoe, and James's sons, William and George, from the beginning in 1853 until the company went bankrupt in 1933. In 1937, during the "last major phase of development of the district," according to the report, when new low rise buildings were built and other buildings altered and reduced in height for market uses, these buildings were reduced to two stories and connected to form a market building, with upstairs offices. The first tenants dealt in wholesale fruit and produce. In 1963, Ottman & Co. expanded its wholesale meat business into this space and the name is still visible on the end of the metal awning, but I can't find any evidence of the company's existence today.

The report concludes that this building contributes to the District, not only because of its market use, but because its brick and stone façade and metal canopy contributes to the visual cohesion of the district.

See map.

Meatpacking District, Ninth Avenue at Little West 12th Street

Mary Sargent © 2009 …………………………………….. click to enlarge

At Greenwich Street, Little West 12th Street joins in, and, along with Gansevoort, forms a plaza. The shock of this encounter prematurely transforms Greenwich Street into Ninth Avenue.

This shot is taken looking back from where we came. See the Charles Nolan store off in the background? This gal in the foreground is carrying a bag from Zadig & Voltaire, a store on Washington Street, around the corner. The New York Times's Critical Shopper wrote an amusing article about checking out the merchandise. But skip the first half, which is not amusing, just confusing.

Apparently, until last year, this area was not a plaza, just a really wide and unregulated meeting of three streets, very difficult for pedestrians to navigate. I don't know if this is considered complete. I hope not. Anyway, it's safe. Read about it here.




Mary Sargent © 2009 …………………………………….. click to enlarge

The northern edge of the Plaza is defined by the famed restaurant Pastis on Little West 12th, famed more for its scene than its food although the food is judged reasonably good.

Oh, okay, why Little West 12th? Because it's only one block long, from Ninth to Tenth Avenues. It's separated from 12th Street proper by a mess of streets typical of Greenwich Village, so I suppose it's always been that way.

P.S. If you link to the map below, and go to the street view, you can get a good sense of what it must have been like to try to cross that street.

See map.

Meatpacking District, Gansevoort Street Between Hudson and Greenwich Streets

Mary Sargent © 2009 …………….. click to enlarge

Now we're in the Meatpacking District for sure since we crossed Hudson Street. Notice the bricked street which just began. This is the Charles Nolan store, looking quite spiffy in the afternoon sun with its little jaunty hat.

In other news, I just want to say that although it is gratifying when people take the trouble to comment on a posting, I just have to wonder about my readership when the item they've commented on the most in recent history is a pink alcoholic drink.

For those who missed it, you'll find it in the June 20 posting.

See map.

Meatpacking District, Gansevoort Street Between 13th and Hudson Streets

Mary Sargent © 2009 ……….. click to enlarge

This is the entrance to Buckler, a store carrying a "cult menswear line" according to Time Out. I was quite taken with the look of this – it made me think of some initiation hut on a South Seas Island where young boys go to be terrified into becoming men. And this is the totemic presiding spirit. Then I looked up Buckler online and the first thing I saw was this figure dressed in a suit. No board. What a letdown. Just an ordinary store.

I'm undecided about the eastern boundary of the meatpacking district. It depends on if you are literal (like me) and think of it as the area where there used to be lots of and still are a few meatpacking plants. Or if you think of it as the trendy place it is with cult menswear stores and prizewinning architecture and fabulous restaurants. Historically, Hudson street was the boundary, but obviously this block is part of the scene.

One article I read referred to this area as MePa which makes me want to throw up. I hope people aren't really saying that. If they must shorten it, couldn't they just say MP?

See map.

West Village, Gansevoort Street Between 13th and Hudson Streets

Mary Sargent © 2009 …………………………………….. click to enlarge

This is what's across the street (the other side) from Yamamoto. Trembling with potential.

Gansevoort Street was named for Peter Gansevoort, a 4th generation Dutchman from Albany, who was made a colonel in the Revolutionary War. As far as I can see, he never lived in New York City. So why?

Before that the street was called Great Kiln Street because a lime kiln was located there. Knowing this, I had to find out what a lime kiln was, and it turns out to be a kiln that produces quicklime which is used in many things, including plaster. If that was all I learned, I wouldn't be bothering you with this, but no. You know the word limelight? Guess what? When you heat quicklime really really hot (4,300° F), it creates an intense glow and they used in the theater before the invention of electricity. They called it limelight.


Hint: if you click on the map link below, you can see what the building looked like before it was transformed into Yamamoto.

See map.

West Village, 13th Street Between Gansevoort and Hudson Streets

Mary Sargent © 2009 …….. click to enlarge

Remember Y-3 from 2 nights ago? If you went to the article as you should have, you'd know that Y-3 is a collaboration between Yohji Yamamoto and Adidas; the Y is for Yamamoto and the 3 is for the 3 stripes of the Adidas logo. This is the new Yamamoto store. Well, an edge of it. It's fitted onto the triangle that the streets make when Gansevoort meets 13th at an angle. It's way cool. Go here to see some wonderful photographs by Iwan Baan. He shows the building from all angles including above, and you can see the entire building and how it fits on the street. I hadn't heard of him until tonight, but apparently he's well known and "increasingly influential" in the architecture photography world. I wonder if he gives lessons.

Next go here for a short piece on why this store won a prize for the architects. You'll discover what that red line in the sidewalk is.

Note that this is across the street from the Notre Dame School.

S

See map.

West Village, 13th Street Between Gansevoort and Hudson Streets

Mary Sargent © 2009 ………. click to enlarge

The building on the left is the Notre Dame School, a Catholic high school for girls, although they only recently located here. This was originally a New York City School (I think), built in 1916 in the uplifting style of the time.

I had another, wider shot of the school, but I wanted to show you this sliver with the building next to it, The Gansevoort, to see if you agree with me that this new architecture is very compatible with the old. If you follow the link, you'll see a rendering of the building nestled between the two older ones. You can also learn that the penthouse is still available for $5,250,000.

See map.

West Village, 13th Street at 4th Street

Mary Sargent © 2009 ………. click to enlarge

West Fourth Street's erratic run is finally stopped here at 13th Street (see the stop sign?), and it's a good thing, too. Otherwise, we'd have it going up the Upper West Side and we already have Broadway.

Across the street is Y-3, which I now find out I definitely should have visited. I was going to copy a paragraph from a New York Times article to explain, but they must have an anti-plagarism device embedded in their text because I made two attempts and both times my document froze solid. So you must go there. It's worth the effort.

See map.

West Village, 13th Street at Eighth Avenue

Mary Sargent © 2009 …………………………………….. click to enlarge

Sometimes I just want to throw up a photo of street signs.

See map.

West Village, 14th Street at Eighth Avenue; Eighth Avenue Between 14th and 13th Streets

X
So Friday late afternoon, FL and I head downtown to meet Myra to go for a walk on the just opened newly done High Line. High excitement. And FL consented to go early so I could get a photowalk in. And not only did it not rain, the sun came out. Things to be thankful for.


Mary Sargent © 2009 …………………………………….. click to enlarge

Tonight I'm going to show you two buildings, the old and the new. Well, part of the old. This was originally the New York County National Bank, built in 1907. If you crave to see the whole building, click on the above link. Can you guess what it is today? Why, a men's spa, of course. Nickel, by name. They have designed it to look like the inside of a submarine which results in a "masculine yet sophisticated environment." Funnily enough, the Chinese massage place that FL, Myra and I dropped into after dinner for $10 worth of massage each also looked like the interior of a submarine. There's where the resemblance ended. Sophisticated, it wasn't.



Mary Sargent © 2009 . click to enlarge

Now, around the corner on Eighth Avenue, we have One Jackson Square, almost finished. What recession?

FL was taken with the building, especially the shiny parts, but objected to the brick. She thought it should be some kind of gray metal.



Mary Sargent © 2009 …………………………………….. click to enlarge

Surprise! It has a long side, too. Along Greenwich Avenue. It does look better on this side where no brick is showing, don't you think?


See map.

Central Harlem, 126th Street between Adam Clayton Powell Jr. Boulevard and Lenox Avenue

I need to wrap this up tonight; I've been on it over 4 weeks, for god's sake. No wait a minute, one week of that was inactive due to vacation. Well, even three weeks is too long. Anyway, yesterday, I went on a new walk, in a new area for this blog: the meatpacking district! To visit the brand new High Line.

But in the excitement of the new, I cannot neglect the old. Below are two from the last block on 126th Street, and then I'll show you where I finally found dinner.



Mary Sargent © 2009 …………………………………….. click to enlarge




Mary Sargent © 2009 …… click to enlarge




You may remember I was looking for a place to have dinner and not having any luck.


Mary Sargent © 2009 ……….. click to enlarge

But here, what's this up ahead? Lenox Avenue and restaurants, primary among them, Sylvia's, the old-time famous Harlem soul food place. I haven't been there since the 80s when I went with a black man and we were treated a tad frostily. Twenty-four years later, maybe it's time to give it another chance. I enter. I see many large groups of white folks. In fact it looks like Sylvia's is the Harlem restaurant for white people. Not that there weren't any black people, but they were definitely outnumbered. I was very graciously shown to a table, alone in my singleness.

It is time for a drink, I think, looking over the cocktail list. Cocktails seemed safer than wine. I order a strawberry daiquiri, it seems like a good match for soul food.



Mary Sargent © 2009 …………………………………….. click to enlarge

Omigod, here it comes; it's topped with whipped cream and a cherry! I am mortified. Luckily, no one is paying any attention to me. I order a fried pork chop, candied yams and pickled beets. Whyyyy didn't I order collard greens, blackeyed peas, mashed potatoes, anything, but candied yams? The candied yams were triple sweet with some sort of non-yam taste to them. Pickled beets are pretty much pickled beets. The pork chop, however, makes everything worthwhile. I almost never eat pork anymore since it's gotten so lean and dry and tasteless, but I had a feeling Sylvia might know where to get some unevolved pork. She did. It was great. I would go back there just for that pork chop.


See map.

Central Harlem, Adam Clayton Powell Jr. Boulevard at 126th Street

Mary Sargent © 2009 ……………………….. click to enlarge

The building across the street is the Adam Clayton Powell Jr. State Office Building which we've seen before from the front.

See map.

Central Harlem, 126th Street Between Frederick Douglas and Adam Clayton Powell Jr. Boulevards

Mary Sargent © 2009 …………………………………….. click to enlarge

I can never resist a shot with color coordinated clothes. I mean, of course, coordinated with their surroundings.

See map.

Central Harlem, 126th Street Between Frederick Douglas and Adam Clayton Powell Jr. Boulevards

Mary Sargent © 2009 …………………………………….. click to enlarge


See map.

Central Harlem, Frederick Douglas Boulevard at 126th Street

Mary Sargent © 2009 …………………………………….. click to enlarge

Would you have guessed that bright blue and white building was a funeral home? Their website asserts that, contrary to rumors, Unity Funeral Chapels Inc. is NOT owned by a white funeral home chain. Rather, it is owned by five African-American entrepreneurs. Check it out.

See map.

Central Harlem, 126th Street at Frederick Douglas Boulevard

Mary Sargent © 2009 …………………………………….. click to enlarge

This is what gets me about this project. I posted this photo because I liked the long shadows, the dilapidated building, the dynamics of the people all going in different directions. (Please enlarge it.) And then there's the House of Seafood. I was going to say something like, I've been looking for a place to eat and this is the first one I've seen so far, but I don't think I'll be dining there tonight. Ha ha. Dismissing it. But just in case there was something to know about it, I googled it. Here's what I found: The Village Voice: "The unprepossessing storefront—a hovel, really—offers no clue that its fish sandwiches are thrilling, a quartet of whiting filets caught locally, fried to perfection, and plunked down on whole-wheat bread with tartar and Tabasco." Thrilling. This opinion is echoed by a reviewer on Yelp: "You'd never guess that this place makes ridiculously good whiting sandwiches, on par with Famous over on 145th St." (Note to self: remember Famous when I'm on 145th Street.)

The problem, you may have noticed, is that House of Seafood is closed. Here's an article from the New York Post in October 2007 that tells why. Redevelopment.

I do like a good fish sandwich, and the best one I ever had was a whitefish sandwich in upper Michigan. But even that wasn't thrilling. And now it looks like I'll never have a thrilling fish sandwich.

But what I mean about what gets me about this project is that it seems everywhere I look there's more there than I think. It's so rich. There's so much. This is why I go ever slower and slower.



See map.

Central Harlem, 126th Street Between St. Nicholas Avenue and Frederick Douglas Boulevard

Mary Sargent © 2009 ……….. click to enlarge

Stark. Yet not.

See map.

Central Harlem, 126th Street Between St. Nicholas Avenue and Frederick Douglas Boulevard

Mary Sargent © 2009 …………………………………….. click to enlarge

As I was shooting the house with the bower of roses (see two posts back), these two boys came ambling down the street. An instant later, they looked up and saw me. Did you take my picture? one of them asked. Yes, I said. Take a picture of this! they cried as they began performing.



Mary Sargent © 2009 ………… click to enlarge

Take a picture of this! Take a picture of this!




Mary Sargent © 2009 ………. click to enlarge

Take a picture of this!

I wonder when they're middle-aged, will they shake their heads and say uhn, uhn.





Mary Sargent © 2009 …………………………………….. click to enlarge

Just as I was about to wrap it up and ask them their names, these girls came along. What, are you modeling? one of them asked. I didn't hear the rest. Next thing I know, they've taken off back the way they came and the girls are walking off in the opposite direction.


See map.

Central Harlem, 126th Street Between St. Nicholas Avenue and Frederick Douglas Boulevard

Mary Sargent © 2009 …………………………………….. click to enlarge

Sorry to be a day late, but I was spending the night at the airport in Baltimore (don't ask). U. S. Air did it to me. Yes, I'm naming names! That'll teach em to mess with a blogger. They cancelled the 5:00 and 7:00 p.m. flights to New York because of weather and wouldn't reschedule. 6:00 a.m. was the next flight. And told me blandly, since it was weather, we can't do anything for you. It was hard to be zenlike. Well, impossible. But of course, if you get tired enough, you lose your punch.

On to happier things. Like, great vacation!, great to be home! Now, I have to go to bed.

See map.

Central Harlem, 126th Street Between St. Nicholas Avenue and Frederick Douglas Boulevard

VACATION TIME

I'll be back next Thursday. Don't forget!



Mary Sargent © 2009 …………………………………….. click to enlarge

Meantime here's a pretty summertime photo. Note: we've passed into Central Harlem.

See map.

Manhattanville, 126th Street Between Morningside and St. Nicholas Avenues

Mary Sargent © 2009 ………. click to enlarge

This is the last block in Manhattanville and it's a short one, so I'll take care of it in one posting. I couldn't seem to resist white buildings against blue skies today. Here's another.





Mary Sargent © 2009 …………….. click to enlarge

Just down the block is this imposing building with no clue as to what it is. I played a guessing game until I got to the corner and saw the front of it.




Mary Sargent © 2009 …………………………………….. click to enlarge

PS 157! An elementary school, at that. That is, it was. It closed in 1975 and then gradually deteriorated until it was rebuilt as apartments in 1989. Don't you just wish you could live in something other than a boring old apartment building? This school looks like a good bet, with its 15' ceilings and beautiful windows. I don't know if it's still true, but in 2000 this was called the gay building because so many gays had moved in.

Streetscapes had a good article on this school in 1989. It seems that prior to the 1890s, schools were built in a factory style as befitted the idea of "the school life of a child as a grinding, manufacturing process . . . ." A new school architect, Charles B. J. Snyder, was appointed in 1891 and began building schools that would have an uplifting effect on the city's poor and working class sections, this being one of them.

See map.

Manhattanville, 126th Street Between Amsterdam and Morningside Avenues

Mary Sargent © 2009 ………. click to enlarge

Reminiscent of an Italian village?

This building is at the break in 126th Street where it angled off (see where the sidewalk curves?). From now on, going west, it'll be a normal numbered street – horizontal.


See map.

Manhattanville, 126th Street Between Amsterdam and Morningside Avenues

Mary Sargent © 2009 ………… click to enlarge

This is where 127th Street, just doing as it should, going straight ahead, is abruptly cut off by 126th Street as it angles off the horizontal. And it was so close to the end! But this did create a spot for a nice narrow triangle building. See map.

Meanwhile, on the south side . . .



Mary Sargent © 2009 ……….. click to enlarge